The History of Indian Cinema - The Birth of Bollywood

Step by step the development of Indian cinema

The film industry is a symbol of India, the beautiful and fascinating Indian and the world was, is currently about 110 years. Indian cinema has seen 11 years of fun to kiss songs, love the rain, exotic locations, "hai mere maa Paas" screen, and much more. The growth in terms of effectiveness and quality has been enormously in the last 110 years.The film has become an indispensable part of Indian culture and society, an aspiring SRK or Big B in all corners of this great country. The first film in India and their decisions: India's first film was made in 1899 by Mr Harishchandra Sakharam basis Bhatavdekar Calcutta (save better known as Dad known). He, with a projection device and introduced a camera British made two short films, namely, wrestlers and man and monkey. Next step was a pioneer of the opening of the new FB Thanawala Grand Kinetoscope in 1900 in Calcutta, to produce films. Framjee Janshedji Madan began to show films shows in tents in 1902, later to India, the first permanent home-movie Elphinstone Picture Palace, which now bears the name Chaplin establish. India dramatic debut:

first dramatic feature film was made by NG Chitre and RG Torney, in collaboration with the British, was titled "Pundalik", a film was a saint of Maharashtra. This film was released 18th May 1912, at the coronation of Bombay cinema. The film played to packed houses. The first Indian feature film was Phalke Dundiraj Govinda, who is best known as Dada Saheb Phalke made public. The film "Raja Harishchandra" and appeared in 3rd May 1914 in Coronation Theatre, Bombay. The film took 23 days.Phalke of "Lanka Dahan, published in 1917, became the first box office hit in India. Dada Saheb Phalke contribution to Indian cinema hit was big, Dada Saheb Phalke started and therefore award for career in his honor 1969.Devika Rani, the daughter of Grand Rabindra Tagore won the first prize.

The first talkie film Oscar: -

In 1920 there was an industry to make films at a rate of 27 per year and reaches 207 movies a year in 1931. Today India makes about 900 films a year, a world record. In 1927, the world began to make movies talkie "The Jazz Singer," the first to be released as a talkie. issued his first film in India was "Melody". India has made his first sound film in 1931. 'Alam Ara "the first feature film produced natively talkies, which was supported by the Imperial film directed by Ardeshir Irani was produced. It also contains seven songs published and was 14th March 1931, the Majestic Cinema in Bombay. This principle of the songs in all films were recorded and the song reached number 71 in a whooping cough "indrasabha." cuts in the film became a phenomenon of the Indian film industry. After independence was the golden era of Indian cinema that the growing public and for many. Satyajit Ray, who is considered one of the greatest filmmakers of all time, made three internationally acclaimed films, namely Pather Panchali, Aparajito and APUR Sansar. He won an Oscar in her film career 1995.His gave a new perspective and meaning to the cinema of India. Since that happened, the cinema of big guns India with many great artists like Guru Dutt, Lata Mangeshkar, Raj Kapoor, Kishore Kumar and many others to carry it to new heights. Today, the Indian cinema to an international center of much international cooperation. AR Rahman recently Pukotty Rasool and win the Oscar show potential and talent of Indian filmmakers The history of cinema

Footage

The movie or film, as mentioned based on the principle of inertia of the eye, a phenomenon of Lucretius about 65 a. C, often on an object so quickly before our eyes, the size and shape that are attributed not moved. Or object can be seen at once in more than one place when you move fast enough. All this because the retina retains the image for a fraction of a second, depending on the brightness and color to see the object). In the early nineteenth century a great interest in optics led to the invention of many fun toys based on these characteristics, which, like the magic lantern before, were steps in the evolution of cinema from. The first was the Thaumatrop, invented by Dr. Fitton in 1826, but is generally attributed to Mr. Parra, who has for sale. It is simply a sheet of cardboard with a bird, for example, painted on one side and a cage on the other, when he turned quickly through a cable to the sides of the disc, the bird appears in a cage, because the two sides of the disk is seen at once. An extended application of the principle, the Belgian scientist Joseph Plateau phenakistoscope and Simon Stampfer Strobe Vienna, invented independently by them in 1832. In such a series of drawings of the different phases of a movement around the edge of a cardboard organized and viewed by an additional disc with a number of places for the number of images. With rapidly rotating disk, the viewer an overview of each image in the series, since each slot is of each image. Because of the inertia of the eye all the photos that blends into the retina, resulting in a realistic impression of a character in motion. Another tool for the production of cartoons designed by mathematician WG Horner in 1833 (and the zoetrope name in 1867) in this series of similar drawings of the interior around a grooved drum. The first person, animation effects was painting on a screen of numbers to design a sheet of glass and light a lantern Uchatius Franz, an Austrian officer, in 1850. His unit was put on the market for an optician in Vienna in 1853, and shortly after the name of a showman Ludwig Dobler gave public performances in Europe - the first person to earn a living in motion pictures. Fourteen years later, an English amateur photographer, Alfred Pollock struck by a circular plate, a series of snapshots of fifty turns of a man on foot, and the organization of events promoting a positive framework phenakisto hard drive or strobe, which when turned around and looked through a crack disk "image can run with the same speed that the subject had made." Mr. Janssen, an astronomer French, how to shoot a camera Venus Transit in 1874 built and offered the opportunity to sign up quickly with the camera in your "weapon" (which were 48 photos taken following) the movement of animals and poultry, always faster thanthe plates were invented. His proposal was not accepted at a dead letter, because after the introduction of the gelatin sheets in 1880 (the twenty were times faster than the collodion wet) adapted physiologist Dr. EJ Marey in Paris Janssen camera for saving the birds in flight. In 1882 he invented a photographic gun at the bird, which flies like a conventional weapon designed, the resulting images from the edge of a circular glass plate at a rate of twelve per second. Since these pictures were very low, Marey copied the different images of wax, and the animation was very realistic effects seen in the zoetrope. Five years later, he designed a camera to take moving pictures of animals and humans from a roll of sensitized paper to light, which was replaced in 1889 by the transparent celluloid film. The unit has two coils, one with the document (or film) unfolds, it is in a series of intermittently, stopping at the time of exposure, was shot on the other roll of film exposed again. The film is fixed instead of a compressor, and the forward movement was made by a cam. The exposure of a thousandth of a second was made by two counter-rotating slotted discs. The whole mechanism is by turning a crank, and if the object (animal or human) has begun, the operator presses a trigger to start the film moves. The photos were held while the pressure on the trigger. This camera, called Marey Chrono Photographe let them get a picture much longer and faster than before.Could do much as 60 second exposures. Marey was the photography by the pioneering work of Eadweard Muybridge (1830-1904) inspired encouraged to charge an Englishman as Edward Muggeridge, which in America in 1878 settled and in 1879 had a long line of trotting and galloping horses on the racetrack private California Governor Stanford. Muybridge used a battery 12 to 24 cameras in a row to record the motion, the horse risks by breaking son on the way of the closed shutters is to take tension. His photographs show that "horse" in the classic position, the horses were represented at a gallop was inaccurate, but the skepticism raised by the attitude of curiosity that looks too fast for the eye in the natural counter, he designed a screening tool arranged the Zoopraxiscope in which the recordings were on the edge of a pane of glass. Zoopraxiscope Muybridge, the public in Paris, London, Berlin and New York in 1881 and 1882 showed. Everywhere flocked to the movie playback trot, canter and jumping deer along the flight of birds, wrestling, jumping athletes and somersaults, as if everything happens in real life. There was a feeling that no one wanted to miss, and we can look at these events, as explained in the first film. expanded between 1884 and 1885, Muybridge strongly animated series of photos with the support of the University of Pennsylvania, increased camera battery for up to thirty-six, for a more accurate analysis of the movement. detailed images of the plate jelly was introduced much faster in the meantime gained. For the purpose of exhibitions planned for photos has to be a dead end, the number of images that can be placed on a disk is very limited, most of which was never reached by a spiral arrangement on a sheet of glass, 300 in Kammatograph Leo Kamm (1898).His photographs have been small and yielded the same camera, film lasts 40 seconds flat. Inspired by Muybridge, a large number of experiments of the moving image did date, but as a battery of cameras was expensive and not as Marey tried similar results with a single camera and a position to get. Fill in the reproductive success of the movement was not until the improvements in the manufacture of celluloid still a long thin strip of material to raise awareness of what could be any number of sequential photos are almost taken to increase. This has been on the market for fall 1889th Prominent among the early experimenters and inventors roll film is celluloid film Marey and his deputy George Demeny, brothers Auguste and Louis Lumière in France, JAR Rudge, William Friese-Greene and Mortimer Evans, Louis-le-Prince, Robert W. Paul Birt Acres and England , and Thomas Edison in America. As with many inventions, there is some controversy over credit for the invention of cinema, and national feelings are very high in these areas. Both Friese-Greene and Marey had perfected his films, celluloid film camera in 1889, during the first projector perfected the "cinema", was by the Lumière brothers introduced in 1895, as it is the first public performance of France (and elsewhere) were . 20. The February 1896 issue with a "cinema" for the first time in public in Great Britain, followed in the Regent Street Polytechnic. The same night, RW Paul was a semi-private show at the Finsbury Technical College, with its "Theatrography" (later "Animatograph"). Fifteen days after exposure (of fourteen short) moved to the music of residents Empire Leicester Square Hotel, which showed a link to the Alhambra Music Hall, who want a similar program, Paul RW invited to display your images in movement there. Over the next few years, several concert halls in London, a program of moving pictures (mostly news reels) for their programs. Moving images have become more profitable in restaurants, tea and exhibition. Bal-ham Empire, London deserves a mention as the first picture palace 1907th Most of the early films were coils in the news, humorous "shorts", and drive an average of 75 to 150 meters. Many small used apparently because pretending to news these days for Warwick Corporation trading time most film companies in the world, said rollers new entrants from around the world has been made "on the ground, on Hampstead Heath, or someone's backyard. They sent their men Bioscope the Boer War - the first war covered by the film. The most ambitious attempt in a drama before 1900 was through this innovative company. Jeanne d'Arc is a film by 800 feet long, and "a great dramatic film production in twelve scenes, with about 500 people, all dressed magnificently.

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